May. 8, 2013 at 3:04pm with 162 notes
Reblogged from strangewood
“Rossellini stands out from the rest of the so-called neorealists for his eye, his intervention as a strong and compassionate witness who knew how to photograph the air around things, and for his disregard of cinema as a spectacle. I took part as a spectator in Paisan and Rome, Open City and I may have learnt my way of approaching cinema from Rossellini, who worked in the most incredible confusion: expiring bills, romantic complications, conflicts, the war. I remember in Naples, during the shooting of Paisan, in the middle of the street, with the allies’ tanks parading behind our backs, and there he was, with his beret and the megaphone: the casualness of a god who’s creating an earthquake only to be able to photograph it. This is the true lesson that neorealism taught me.” — Federico Fellini
1:07am with 157 notes
Reblogged from gregorypecks
Sophia Loren’s lips.
May. 6, 2013 at 12:50am with 223 notes
Reblogged from deannmartin
(Source: fellini)
2:46am with 86 notes
Reblogged from fuckyeahfedericofellini
May. 3, 2013 at 4:15pm with 9 notes
Reblogged from oldfilmsflicker
THEATRICAL PLAYDATES for VOYAGE TO ITALY
May 1 - May 9
New York, NY - Film ForumMay 9
Los Angeles, CA - LACMAMay 17 - 23
Pleasantville, NY - Jacob Burns Film CenterMay 31; June 2 - 4; June 6
Chicago, IL - Gene Siskel Film CenterJune 9
San Francisco, CA - The Castro TheatreJune 11
Cleveland, OH - Cleveland Museum of ArtJune 20 & 23
San Rafael, CA - Smith Rafael Film CenterJune 22, 24 & 27
Baltimore, MD - The Charles TheaterAugust 2 & 3
Columbus, OH - Wexner Center for the Arts
May. 2, 2013 at 12:15pm with 17 notes
Reblogged from karina-moreau-vitti
Lea Massari, Michelangelo Antonioni and Monica Vitti on the set of L’avventura (1960)
Source: A certain cinema




